You Choose What to Leave in and What to Leave Out

Cottage by the Bay  Pastel  9x12 available $115.00

It was a beautiful day for a walk and taking reference photos, so I grabbed my trusty walking buddy (my son Zach) and we headed to Blackwater Nature Preserve outside of Cambridge, Maryland.  My friend, Lorri, had recently posted photos that she took at this location and she had tons of beautiful photos of the water fowl found at the preserve.  I was excited!  I couldn't wait to get there and take my own beautiful waterfowl photos.  We walked......and walked.....and walked.....drove some....and walked some more..... the birds were no where to be found.  Oh was I disappointed. All in all I think we found 3 ducks and 3 blue herons, so not a total loss for the day, but I did get a few "non-bird" containing reference photos. 

This is the first painting for my Blackwater Refuge series.  I've included the original photo - I chose to leave out the boathouse in this painting, but plan on doing another of just the boathouse.  It's a lesson to be learned by all artists, that just because something is in the photo doesn't mean it has to be included in the painting.  This is where you put your creativity to the test.

Complimentary colors was my main objective while painting this. I used red and green in the tallest trees, and violet among the grasses since violet is a compliment of yellow. 

I chickened out of attending our pleinair paintout this week since the location was on the water and the temperature was 50 degrees - I HATE TO BE COLD! So I decided to do my own pleinair study this morning - I'm just waiting for the temps to rise a little bit more.  Check back soon to see what ended up on the easel.

Last Day of Capturing the Illusion of Light Pastel Class

Morning Glow 9x12 inches Pastel available $125.00

It's always a sad day when a class comes to an end.  You get used to seeing your classmates and you seem to begin to grasp the lessons being taught when BAM! its the end! I will miss my fellow classmates and I hope to see some of them in future classes, but for the fun of it, after our final class,  I had each student pose in front of their easel with their final paintings.  What a great bunch of artists! And for an extra special treat that day, our incredible instructor Katie Cassidy threw us a pizza party at her house complete with a tour of her studio.  I should have taken pictures of her studio and amazing works in progress, but I was too caught up in the moment - I didn't even get a picture of all of us with Katie!  But I will definitely remember to do that with the next class which starts on Wednesday. I'm so excited! We will be studying color harmony in that class.


Here's the Illusion of Light class along with their final paintings ( some of them were just being started) A couple of students had already cleaned up and I didn't get their pictures. (Sorry)

Katie giving a critique

And my final piece.....

I woke up that morning and rolled over to the sun shining in on my little arrangement and I jumped up to get my camera, and knew this was the next subject for the next painting.  I bought this little hammered metal pitcher at a flea market in Delaware this past fall for $3.00.  I just love it! Just last weekend I put the poppies (silk flowers) and dried baby's breath into it.

The paper that I used had a failed painting of a barn I was working on in plein air - it was just horrible!  So I took a stiff paint brush and brushed and scrubbed the old painting off which left a bright red tinted underpainting to begin this painting on.  That is one of the percs of using pastels..... if you don't like it..... just brush it off and begin something new on top.  No need to waste paper. I didn't take a picture of the failed barn because it was JUST THAT BAD, and I was too embarrassed to share it.

Benefits of Taking Art Classes

Winter Whispers pastel 20x16 available $355.00

I am finally breaking out of a long hiatus from my painting.  For the last few month's I had even considered giving up painting all together - painting can be a lonely hobby and also expensive, and I was struggling to find the inspiration and will to keep going with it. But the longer I stared at an empty easel the more lost and empty I felt.  I was given an opportunity to take a class at the Art Academy in Easton, Md. this month and I'm beginning to feel renewed again.  So this week I thought I'd share works being completed in class along with my notes that I've been taking along the way. 



First and foremost, I would like to thank my class instructor and mentor Katie Cassidy.  She is a wonderful instructor and shares her painting knowledge so fully.  If you ever have the desire to take a class in pastel painting, I highly recommend you sign up with Katie.  The classes are fun and just getting the chance to view the art work that she creates is well worth it! Thank you Katie for helping to relight that spark in me.


Katie passed out a hand-out during the last class that I thought I'd share with you. 

Questions when working from photos for your paintings:

Did you start with preliminary studies?
Are there any lines or edges that divide the painting in half or equal units?
Does the painting have a primary center of interest?
Is the center of interest in a sweet spot?  (not dead center)
Is the center of interest a strong focal point?
Are there any lines that lead the eye out of your painting?
Are there strong value contrasts in your painting?
Are the shapes in your painting interesting?
Are there any two intervals the same?
Why did you decide to do this scene? What in this scene moves you?


Can you answer the questions from this hand-out when looking at my posted painting?
 
 

The Secret to Painting Greens

Morning Prayers 18x12 pastel available $185 with free shipping

I remember this day so perfectly.... my daughter and I met up with one of my former Girl Scouts to visit her college, see her dorm, have lunch and do a little sight-seeing.  During our sight seeing excursion we were taken to this little park located in the heart of the hustle and bustle of this city in Delaware. What an amazing landscape this little place had.  I took so many pictures that day, but I've only painted one of those scenes since then.  Today was the day to capture the ducks!  It was such an adorable sight - the ducks all lined up in a row, and at one point they were all facing away from us and we were all scrambling to get pictures of "the duck butts" laughing the whole time. 
So in the spirit of our local Waterfowl Festival which will be taking place soon.... I give you my rendition of "the duck butts".

I've been doing a little bit of experimenting with my pastels and color combinations, and have learned that to make greens stand out and have interest, there is a secret..... and that secret is orange! It was time to put the idea to the test.  I painted all the areas that had green with an under-painting of bright orange.  Most of it got covered up with the following layers of color, but you can still see it in some spots.

Setting Aside Time Just to Draw

The Boathouse 16x20 Charcoal on Canson Board available $165.00

 I've heard it said that to be a good artist, you must be good at drawing.  I have to admit, when I was young, I loved to draw, and it was my favorite past time, but now I don't spend nearly the amount of time on the drawing for each painting as I probably should.  It had been quite some time since I completed just a charcoal drawing, but it felt good - it took me back to a time before color, before paints and before pastels.  I have always wanted to fill a sketchbook, but have never spent the time, so today I am setting another goal and that is to do at least 1 sketch a week until a sketch book is completely full. I enjoy looking through other's sketchbooks, and hopefully I will find as much satisfaction looking through my own.   I'm including some step by step photos of this piece - it's fun to see a picture slowly come to life. I used black and white charcoal on gray toned Canson Board.  The texture on this board took some getting used to, but I'm happy with the end results. 

Keeping Things Loose in the Background

Lost 12x18 Pastel available $185.00

I've been practicing abstracting backgrounds with my latest poppy paintings.  Putting in grasses like the one above can get frustrating and confusing and sometimes cause you to over paint them causing the pastels to get gummy and muddy which leaves you no choice but to brush it off and begin again - and when you're on a tight budget for purchasing pastels, this can also be pricey.  So this time I worked very slow - I began by toning the paper in a deep purple and made sure I could still see the paper through the pastel.  Then I chose 2 greens to lightly fill in area followed by the light yellowy green to give the appearance of light shining through.  It wasn't until this point that I put in the poppy, stepped back from the easel and chose colors that I thought would give interest and make the painting pop.  I followed the same color choices with this poppy as the others, but added a bit of a warm pink color in the light filled area.  The goal is to not paint every blade of grass, but let the viewer fill in the grasses with the information you present to them to see.  

I'd like to reveal the rest of the poem that I've been sharing.  I'd love to hear your thoughts about it.

Jennifer Grotz’s “Poppies”

There is a sadness everywhere present
but impossible to point to, a sadness that hides in the world
and lingers. You look for it because it is everywhere.
When you give up, it haunts your dreams
with black pepper and blood and when you wake
you don’t know where you are.
But then you see the poppies, a disheveled stand of them.
And the sun shining down like God, loving all of us equally,
mountain and valley, plant, animal, human, and therefore
shouldn’t we love all things equally back?
And then you see the clouds.
The poppies are wild, they are only beautiful and tall
so long as you do not cut them,
they are like the feral cat who purrs and rubs against your leg
but will scratch you if you touch back.
Love is letting the world be half-tamed.
That’s how the rain comes, softly and attentively, then
with unstoppable force. If you
stare upwards as it falls, you will see
they are falling sparks that light nothing only because
the ground interrupts them. You can hear the way they’d burn,
the smoldering sound they make falling into the grass.
That is a sound for the sadness everywhere present.
The closest you have come to seeing it
is at night, with the window open and the lamp on,
when the moths perch on the white walls,
tiny as a fingernail to large as a Gerbera daisy
and take turns agitating around the light.
If you grasp one by the wing,
its pill-sized body will convulse
in your closed palm and you can feel the wing beats
like an eyelid’s obsessive blinking open to see.
But now it is still light and the blackbirds are singing
as if their voices are the only scissors left in this world.

 ------------------------------------------------------------------------------------------------------------------

I've been thinking of  my next subject matter to work on this week, and I've decided to spend my week at the lake - so to speak.  This week, all my painting will be lake scenes.  I'm pretty excited and have some experiments with the pastels that I'd like to try out along the way.


I'd also like to announce with great joy that I was excepted into the Working Artists Forum.  I was quite worried after seeing all the paintings of the other applicants - all I can say is I'm in very good company of exceptional artists and hope to build lasting friendships and also to learn and grow as an artist with all the opportunities WAF provides.  Thank you all for your words of encouragement and prayers. 

Have You Ever Tried Painting on Sandpaper?

Wild Passions 9x11 Pastel available $95.00

This week has been a whirlwind of art activity in this house.  Along with trying to reach my goal for the poppy paintings, I've also been working on things in an attempt to get accepted into the Working Artists Forum group.  On Monday, I will need to submit 3 paintings and 1 drawing, framed, to be judged by a panel, and they will decide if they think my work is up to the standards of the group.  I am so grateful for all of you that "like" the paintings on Facebook and Instagram because that's how I chose the paintings for consideration.  I also met with my pastel mentor Katie yesterday, and along with her husband, who is also an artist, they helped me pick the best 3 of the 9 top "liked" paintings by all of you. So thank you for all your support and wish me luck.  I'll post the paintings that were picked after I get them framed.

I've been sharing a poem 1 paragraph at a time along with a poppy painting to go along with it, so I'd like to share the next paragraph to that poem:


There is a sadness everywhere present
but impossible to point to, a sadness that hides in the world
and lingers. You look for it because it is everywhere.
When you give up, it haunts your dreams
with black pepper and blood and when you wake
you don’t know where you are.

But then you see the poppies, a disheveled stand of them.
And the sun shining down like God, loving all of us equally,
mountain and valley, plant, animal, human, and therefore
shouldn’t we love all things equally back?
And then you see the clouds.

The poppies are wild, they are only beautiful and tall
so long as you do not cut them,
they are like the feral cat who purrs and rubs against your leg
but will scratch you if you touch back.
Love is letting the world be half-tamed.
That’s how the rain comes, softly and attentively, then

with unstoppable force. If you
stare upwards as it falls, you will see
they are falling sparks that light nothing only because
the ground interrupts them. You can hear the way they’d burn,
the smoldering sound they make falling into the grass.
 ------------------------------------------------------------------------------------------------------------------

The poppy painting posted for today was painted on black sandpaper.  I've been trying out different grits of sandpaper to see what kind of textures I can achieve - but just a warning if you decide to try this - you will not have a pastel left when using them on the heavier grit paper - I liked the texture, but did not like using up an entire pastel after a couple of swipes, so I trashed that painting - and began again for the painting shown above.